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三彩筆記 vol.67 西雅圖藝術博物館:唐代三彩淡黃釉獵犬 - Seattle Art Museum, Sancai White and Amber Glaze Earthenware Hound, Tang Dynasty

  • Writer: SACA
    SACA
  • 3 hours ago
  • 4 min read

Weathered ceramic dog figurine standing on a base against a plain gray background.

這件釉陶獵犬是Eugene Fuller Memorial Collection舊藏,編號64.75,高約16.8公分。施白釉或淡黃釉,帶琥珀釉。同館另一件編號64.76(帶藍彩)尺寸幾乎完全一致,極可能是一對。


唐代獨立獵犬俑存世量遠少於馬與駱駝。這類作品多受中亞/波斯細犬(Saluki類型,史籍稱「波斯犬」)影響,體態修長。本件釉色相對樸素(白/淡黃色系加琥珀釉),與另一件帶藍彩的形成對照:藍彩因鈷料昂貴(往往數倍於黃金),是皇家規格的象徵;本件則屬更常見的黃白琥珀釉系統,但仍屬稀少的獨立獵犬形象。


SACA觀察

兩件同屬Eugene Fuller Memorial Collection,尺寸一致(約16.8公分),可視為一對。一件帶藍彩,一件為白/淡黃釉帶琥珀釉,正好呈現唐代獵犬的不同釉色層次。16.8公分屬中型尺寸,並不算小。這類獨立獵犬俑對比馬與駱駝,存世量少得多,目前價格明顯低估。岡田美術館即將上拍的「狗王」(高約25.4公分)尺寸更大,但本件與藍彩件成對出現,本身已具備相當稀缺性。


關於藏家

Eugene Fuller Memorial Collection以Eugene Fuller(1858–1930)命名。真正推動收藏的是其子Richard E. Fuller(1897–1976)與母親Margaret MacTavish Fuller。Richard於1933年創立西雅圖藝術博物館並擔任館長四十年,專注亞洲藝術。


FAQ

Q1:這件與64.76是一對嗎?極可能。兩件尺寸幾乎完全一致,同屬Eugene Fuller Memorial Collection,一為白/淡黃琥珀釉,一為藍彩,正好形成釉色對照。

Q2:白/淡黃琥珀釉與藍彩有何區別?藍彩使用進口波斯鈷料,價格遠超黃金,幾乎只用於皇室與頂級貴族,是「三彩貴藍」的象徵。白/淡黃琥珀釉相對常見,但仍屬稀少的獨立獵犬系統。

Q3:這是波斯犬嗎?較接近史籍所稱的「波斯犬」(Saluki類型細犬)。《舊唐書·波斯傳》記載「駿犬,今所謂波斯犬也」,唐代墓葬壁畫中亦常見此類細長獵犬。

Q4:市場情況如何?唐代獨立獵犬俑存世量遠少於馬與駱駝,目前價格明顯低估。帶藍彩者因稀缺性更受關注;成對出現且來源清楚的例子更值得重視。



This glazed earthenware hound is from the Eugene Fuller Memorial Collection (accession 64.75). Height approximately 16.8 cm. It is covered in white or pale yellow glaze with amber. The companion piece in the same collection (64.76, with blue glaze) is almost identical in size and is very likely its pair.


Independent Tang hound figures are far rarer than horses or camels. Most reflect Central Asian / Persian sighthound (Saluki-type, historically called “Persian dogs”) influence—slender bodies. This example uses a more restrained white/pale-yellow and amber palette, forming a clear contrast with the blue-glazed companion: blue required expensive imported Persian cobalt (often several times the price of gold) and signalled imperial rank, while this piece belongs to the more usual yellow-white-amber system, yet remains a scarce independent hound.


SACA Observation

The two pieces share almost identical dimensions (approx. 16.8 cm) and both belong to the Eugene Fuller Memorial Collection; they can be regarded as a pair. One carries blue glaze, the other white/pale-yellow with amber—exactly illustrating the different glaze levels of Tang hounds. At 16.8 cm this is a mid-size example, not small. Independent Tang hound figures are far rarer than horses or camels and remain significantly undervalued. The Okada Museum “Dog King” (approx. 25.4 cm) is larger, but a matched pair with clear provenance already possesses considerable scarcity.


About the Collector

The Eugene Fuller Memorial Collection is named after Eugene Fuller (1858–1930). The actual builders were his son Dr. Richard E. Fuller (1897–1976) and mother Margaret MacTavish Fuller. Richard founded the Seattle Art Museum in 1933 and served as its unpaid director for forty years, focusing on Asian art.


FAQ

Q1: Are this and 64.76 a pair?Very likely. The two pieces are almost identical in size, both from the Eugene Fuller Memorial Collection—one white/pale-yellow with amber, the other with blue glaze—forming a clear glaze contrast.

Q2: How does white/pale-yellow amber glaze differ from blue?Blue used imported Persian cobalt, far more expensive than gold, and was reserved almost exclusively for imperial and top aristocratic use—the symbol of “sancai values blue most.” White/pale-yellow amber is relatively more common, yet still belongs to the scarce independent-hound category.

Q3: Is this a Persian dog?It is closest to the “Persian dog” (Saluki-type sighthound) recorded in historical texts. The Old Tang History explicitly notes “excellent hounds, now called Persian dogs,” and Tang tomb murals frequently depict this slender type.

Q4: How are these regarded on the market?Independent Tang hound figures are far rarer than horses or camels and remain significantly undervalued. Blue-glazed examples attract more attention because of scarcity; a matched pair with clear provenance deserves particular notice.


館藏資料

618–906ChinaEarthenware with glaze6 5/8 × 2 3/4 in. (16.83 × 6.99 cm), L.: 6 1/4 in.

Eugene Fuller Memorial Collection, 64.75


參考文獻 / References

  1. Seattle Art Museum. Hound. Eugene Fuller Memorial Collection, accession no. 64.75.


    https://art.seattleartmuseum.org/objects/6377/hound

  2. Seattle Art Museum. Hound. Eugene Fuller Memorial Collection, accession no. 64.76(藍彩對照件).


    https://art.seattleartmuseum.org/objects/6386/hound

  3. SACA. 拍賣筆記 vol.398 蘇富比香港2026:唐三彩狗王,岡田博物館.


    https://www.artsaca.com/post/auction398

  4. SACA. 三彩筆記 vol.48 洛陽博物館:唐三彩純藍釉馬(藍彩皇家規格背景).


    https://www.artsaca.com/post/sancai48

  5. SACA. 拍賣筆記 vol.245 邦瀚斯倫敦:覺是軒,唐三彩黃釉細犬.


    https://www.artsaca.com/post/auction245

  6. 《舊唐書》卷一九八〈西戎·波斯傳〉:「駿犬,今所謂波斯犬也。」

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