宋代筆記 vol.132 台北故宮博物院：南宋官窯青瓷葵口碗（超大碗形，東京國立同款） - Palace Museum Taipei, Southern Song Guan Celadon Foliate Bowl, Large Bowl, TNM Type.
- SACA
- May 27
- 3 min read
南宋官窯葵口碗中的超大尺寸，參考東京國立博物館藏南宋官窯大葵口碗，現被指定為重要文化財，尺寸同樣為26cm，橫河民輔博士饋贈（Gift of Dr. Yokogawa Tamisuke）。
20世紀初期日本並沒有南宋官窯的認知，實際上在圓明園、頤和園沒有失守之前，南宋官窯青瓷是不為世界所知的，南宋官窯收藏僅限於中國皇家。直至南宋官窯的概念傳出後，日本在探索的過程中才認定了包括東京國立博物館藏的大葵口碗，靜嘉堂文庫美術館藏的三足鼎式香爐為南宋官窯的作品。
參考：
重要文化財 中国・官窯 南宋時代・12～13世紀
高9.1 口径26.1 底径7.1 重720
Among Southern Song Guan ware foliate-rim bowls, the present example represents an exceptionally large form. A closely comparable piece is preserved in the Tokyo National Museum, also measuring 26 cm in diameter and now designated an Important Cultural Property of Japan. This example was donated by Dr. Yokogawa Tamisuke.
At the beginning of the 20th century, the concept of "Southern Song Guan ware" had yet to be recognized in Japan. In fact, prior to the fall of the Yuanmingyuan (Old Summer Palace) and the Yiheyuan (Summer Palace) in Beijing, Guan ware of the Southern Song was virtually unknown to the world, having remained restricted to the Chinese imperial court. It was only after the transmission and formal identification of Southern Song Guan ware as a distinct category that Japanese scholars and collectors began to classify certain pieces accordingly. Notable examples include the large foliate-rim bowl in the Tokyo National Museum and the tripod censer in the Seikadō Bunko Art Museum, both now widely accepted as masterpieces of Southern Song Guan ware.
官窯 青瓷葵口碗
Bowl with hibiscus-shaped rim in celadon glaze, Guan ware
陶瓷器
南宋
高9.9公分 口徑26.0公分 足徑7.1公分
花口分六瓣，侈口，弧形深壁，器外微現六道淺槽，內底心凹陷一圓形淺槽，圜底，淺圈足。墊燒，內外施青釉，釉色粉青，口下、足端有多層施釉痕，釉表帶棕色大紋片，間雜少許冰裂紋。圈足施釉不勻整，外底微凸，中心出現一個褐色縮釉點，著地處無釉，露出燒後胎色。
Bowl with hibiscus-shaped rim in celadon glaze, Guan ware
Ceramic
Southern Song Dynasty
Height: 9.9 cm
Mouth diameter: 26.0 cm
Foot diameter: 7.1 cm
This vessel features a six-lobed foliate rim with an outturned mouth and deep curving walls. Six shallow vertical grooves are faintly visible on the exterior surface. The interior base is slightly recessed and formed with a shallow circular groove. The base is rounded, supported by a short, low footring.
It was fired on a spurred support, and both the interior and exterior are covered in a lustrous celadon glaze of pale bluish-green tone (fenqing 粉青). Multiple layers of glaze are evident beneath the rim and around the foot, revealing traces of repeated application. The surface displays broad brown crackle lines (da wenpian 大紋片), interspersed with some finer ice crackles (binglie 冰裂). The footring is unevenly glazed, with the exposed clay body at the foot’s resting point revealing a dark grayish tone from firing. The slightly convex base bears a single brown spot of glaze contraction at the center.
This oversized bowl belongs to a rare category of Southern Song Guan ware, notable for its monumental scale and precise potting. Its form and glaze characteristics closely resemble a celebrated example held in the Tokyo National Museum, making it a valuable reference for typological comparison and stylistic analysis within the corpus of extant Guan ware.
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