宋代筆記 vol.131 台北故宮博物院：南宋官窯青瓷葵口碗（淺碗形） - Palace Museum Taipei, Southern Song Guan Celadon Foliate Bowl, Shallow Bowl Type.

對比其他5件台北故宮博物院藏南宋官窯葵口碗，這件造型較為淺，器物修胎、掛釉較為厚。造型類似湖州博物館藏南宋至元官窯形碗（釉光偏月白，釉面腐蝕較為嚴重）。

這類器物有助於研究從亞歷山大碗到南宋官窯早期的過度審美與南北胎釉結合帶來的技術挑戰。

官窯 青瓷葵口碗

Bowl with hibiscus-shaped rim in celadon glaze, Guan ware

陶瓷器

南宋

高5.5公分 口徑18.0公分

參考：

宋代筆記 vol.130 台北故宮博物院：南宋官窯青瓷葵口碗（亞歷山大型） - Palace Museum Taipei, Southern Song Guan Celadon Foliate Bowl, Alexander Bowl Type.

宋代筆記 vol.129 台北故宮博物院：南宋官窯青瓷葵口碗 - Palace Museum Taipei, Southern Song Guan Celadon Foliate Bowl

六瓣葵花形，侈口，弧形深壁依葵口變化，由內向外微微凹進六道等距淺槽；圓底，矮圈足。全器施罩青釉，釉色局部泛灰，釉表滿布透明冰裂紋和深褐色開片。口沿釉薄處因胎土色深，而出現一圈深灰色邊，底足周緣無釉露出深色邊。

Southern Song Guan Celadon Foliate Bowl (Shallow Bowl Type)

Palace Museum, Taipei

Ceramics Southern Song dynasty

Height: 5.5 cm Mouth diameter: 18.0 cm

This foliate-rimmed bowl is crafted in the form of a six-lobed hibiscus flower. It features an everted mouth with gently curving walls that follow the contour of the lobes. Along the inner wall, six evenly spaced shallow grooves extend outward from the center, subtly emphasizing the floral geometry. The bowl has a rounded base with a low circular footring.

The entire surface is covered in a celadon glaze characteristic of Guan ware. The glaze is of a bluish-green tone, with localized greyish tints. Its surface is densely patterned with both transparent ice crackles and dark brown crackle lines. At the rim, where the glaze is thinner, the dark-colored body clay shows through, forming a distinct greyish band. The base reveals an unglazed footring exposing the dark-toned ceramic body, a typical feature of Guan ware.

Compared to the other five foliate-rimmed Guan bowls in the collection of the National Palace Museum, Taipei, this example is shallower in form and features more substantial trimming and thicker glaze application. Its shape bears a resemblance to a Guan-type bowl housed in the Huzhou Museum, dated to the Southern Song–Yuan transition, though the latter exhibits a more moon-white glaze and pronounced surface corrosion.

This bowl provides valuable material for studying the aesthetic transition from the so-called “Alexander-type” bowls to early Southern Song Guan ware, as well as the technical challenges arising from combining northern and southern ceramic traditions in both body and glaze composition.