宋代筆記 vol.129 台北故宮博物院：南宋官窯青瓷葵口碗 - Palace Museum Taipei, Southern Song Guan Celadon Foliate Bowl

南宋官窯 青瓷葵口碗

Bowl with hibiscus-shaped rim in celadon glaze, Guan ware

陶瓷器

南宋

高9.9公分 口徑26.0公分 足徑7.1公分

花口分六瓣，侈口，弧形深壁，器外微現六道淺槽，內底心凹陷一圓形淺槽，圜底，淺圈足。墊燒，內外施青釉，釉色粉青，口下、足端有多層施釉痕，釉表帶棕色大紋片，間雜少許冰裂紋。圈足施釉不勻整，外底微凸，中心出現一個褐色縮釉點，著地處無釉，露出燒後胎色。

克拉克伉儷1975年拍賣圖錄

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文物統一編號	故瓷014115N000000000
品名	官窯 青瓷葵口碗 Bowl with hibiscus-shaped rim in celadon glaze, Guan ware
分類	陶瓷器
時代	南宋 西元1127-1279年
尺寸	高9.9公分 口徑26.0公分 足徑7.1公分
說明	花口分六瓣，侈口，弧形深壁，器外微現六道淺槽，內底心凹陷一圓形淺槽，圜底，淺圈足。墊燒，內外施青釉，釉色粉青，口下、足端有多層施釉痕，釉表帶棕色大紋片，間雜少許冰裂紋。圈足施釉不勻整，外底微凸，中心出現一個褐色縮釉點，著地處無釉，露出燒後胎色。

Bowl with Hibiscus-Shaped Rim in Celadon Glaze, Guan WareSouthern Song dynasty (1127–1279)

Stoneware with celadon glazeHeight: 9.9 cm; Rim diameter: 26.0 cm; Foot diameter: 7.1 cmCollection number: 故瓷014115N000000000National Palace Museum, Taipei

This bowl, made of Guan ware, features a six-lobed foliate rim (resembling the hibiscus flower), an everted mouth, and deep curved walls. The exterior surface is subtly articulated with six shallow vertical flutes, while the interior center contains a shallow circular recess. The bowl terminates in a rounded base and a low ring foot. It was fired on spurs, and both the interior and exterior surfaces are covered with a soft bluish celadon glaze (粉青 fenqing). Along the area beneath the rim and at the foot, traces of multiple glaze applications are visible.

The glaze surface is characterized by prominent brown crackles (da wenpian) interspersed with finer "ice crackles" (binglie), a hallmark of Guan ware’s aesthetic. The glaze around the ring foot is unevenly applied, and the slightly convex base displays a single spot of glaze contraction, revealing a dark brown glaze flaw at the center. The unglazed foot rim exposes the grayish-buff stoneware body, typical of reduction-fired Guan ceramics.

This vessel exemplifies the refined technical and aesthetic characteristics of official Southern Song Guan ware: elegant proportions, sophisticated form, and a glaze suffused with nuanced tonal variation and deliberate crackling, reflecting both the courtly taste and ritualistic function of such ceramics during the period.