拍賣筆記 vol.516 蘇富比香港線上2026：24.32萬港元售出，唐代白釉薰爐 - Sotheby’s HK Online 2026, A Xingyao White-Glazed Incense Burner, Tang Dynasty, Sold For 243,200 HKD

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近十年来，熏炉造型的器物渐受藏家瞩目。早在春秋战国时期，楚国与晋国便已出土青铜镂空错金银薰炉；其中侯马之作浑厚庄重，楚器则轻盈精巧。在青铜器断代与工艺理解中，厚重往往意味着更充沛的用料；结合侯马顶级的“快範法”与先进的脱模涂层，此类器物堪称青铜香薰的巅峰。

此后，北周宇文邕墓出土的绿釉贴塑薰炉，清晰呈现了由汉代绿釉向北朝绿釉演进的审美轨迹。隋唐之后，白釉、唐三彩，乃至豹斑石、滑石熏炉更呈蔚为大观之势。(SACA观察，2026.11.14)

唐代白釉薰爐

A Xingyao white-glazed incense burner, Tang dynasty

Lot Closed

November 11, 01:17 PM JST

Estimate

30,000 - 50,000 HKD

Lot Sold

243,200 HKD

Japanese wood box

w. 5.9 cm

Condition Report

Good overall condition.

整體品相良好。

Over the past decade, vessels in the form of incense burners have gradually captured the attention of collectors. As early as the Spring and Autumn and Warring States periods, openwork bronze incense burners inlaid with gold and silver were excavated from the states of Chu and Jin. Among them, pieces crafted in Houma are robust and stately, while those from Chu are light and delicate. In the study of bronze dating and craftsmanship, a heavier gauge often signifies more generous use of bronze. Combined with Houma’s premier "block-mold casting" technique and advanced mold-release coatings, these vessels represent the pinnacle of bronze incense burners.

Later, a green-glazed incense burner with applied relief decoration, unearthed from the tomb of Emperor Wu of Northern Zhou (Yuwen Yong), clearly illustrates the aesthetic evolution from Han dynasty green glaze to that of the Northern Dynasties. Following the Sui and Tang dynasties, white-glazed, sancai (tri-color), and even leopard-spot stone and soapstone incense burners flourished into a magnificent variety. (SACA Observations, Nov 14, 2026)