拍賣筆記 vol.414 蘇富比香港2026：44.8萬港元售出，漢綠釉神獸紋樽，浦上蒼穹堂，岡田博物館 - Sotheby’s 2026, Okada Sales Part 2, A Large Green-Glazed Tripod Vessel, Han Dynasty
Updated: Sep 4
SACA拍場（2026.09.04）：網絡420號牌落槌。
漢綠釉乃當今市場上嚴重被低估之品類。上世紀八、九十年代，其價值尚可與一輛汽車等量齊觀。其後大量出土並非法流通的漢綠釉湧入市場，經香港流散至世界各地，價格瞬間遭受重創，此後長期低迷，至今未能完全恢復。重新建構漢代審美觀，深刻理解漢綠釉，已成為當代藏家補課掃盲之必經途徑。價格方面參見：《拍賣筆記 vol.233 佳士得紐約：漢代綠釉陶山形三足博山爐（奩式爐），覺是軒，5.08萬美元成交 - Christie’s NY, Green-Glazed Pottery Cylindrical Tripod 'Hill' Censer, Priestly & Ferraro, Sold For 50,800USD》
此件三足奩浮雕立體，通體銀化。所繪神山野獸之圖景，正是漢代思想之經典體現。詳參美國明尼阿波利斯藝術博物館亞洲部主任柳揚博士論文：《上大山，見神人》
漢綠釉神獸紋樽
A large green-glazed tripod vessel, Han dynasty
Estimate
50,000 - 100,000 HKD
拍賣日期：2026年9月4日
Description
Japanese wood box
w. 28.5 cm
Provenance
Uragami Sokyu-do Co., Ltd, Tokyo.
Exhibited
The International Asian Art Fair, New York, 2004.
Literature
The 30th Anniversary of Uragami Sokyu-do, Uragami Sokyu-do Co., Ltd, Tokyo, 2009, p. 116.
來源
浦上蒼穹堂，東京
展覽
《The International Asian Art Fair》，紐約，2004年
出版
《浦上蒼穹堂30周年記念》，浦上蒼穹堂，東京，2009年，頁116
This lead-glazed Han dynasty jar is modelled after contemporaneous bronze zun wine vessels. Of cylindrical form, it is adorned with animated mythical beasts clambering across the surface, raised on three animal-form feet and applied with relief mask handles at the sides. A gilt-bronze example with a Boshan-style mountain lid is preserved in the Taipei Palace Museum, acc. no. gutong-2044, illustrating the original form of the type.
Han dynasty green-glazed ware is currently a severely undervalued category in the market.
In the 1980s and 1990s, a fine example could still command a price equivalent to that of an automobile. Subsequently, however, a large influx of excavated pieces that entered circulation through illicit channels flooded the market and, via Hong Kong, dispersed around the world. Prices collapsed almost overnight and have remained depressed ever since, never fully recovering. Reconstructing a Han dynasty aesthetic sensibility and gaining a proper understanding of green-glazed ware has become an essential path of literacy for collectors today.
This tripod lian is modeled in high relief and covered overall with silvery iridescence. The scene of sacred mountains and wild beasts it depicts is a classic embodiment of Han dynasty thought. See the essay “Ascending the Great Mountain, Encountering the Immortals” by Dr. Liu Yang, Head of the Department of Asian Art at the Minneapolis Institute of Art:
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