拍賣筆記 vol.380 蘇富比香港2026：1216萬港元售出，秦峰男，響堂山石窟北齊石雕菩薩手 - Sotheby’s HK, Mineo Hata, A Stone Fragment Of A Bodhisattva's Hand, Northern Qi Dynasty, Xiangtangshan Cave, Sold for 12.16m HKD

拍前確認為響堂山石窟神助攻，競爭激烈，到了600萬以後，還有dylon新買家加入650萬，700萬courtny，6886，nicolas客戶買下，950萬落槌。1216萬港元售出。

北齊（550–577年）是中國佛教造像藝術的高峰期，以細膩豐潤、注重肢體表現為特色。此件石雕菩薩手殘片尺寸26.5厘米，比例勻稱，指部刻劃精緻柔美，充分體現北齊菩薩像追求優雅與肌理感的時代風格。菩薩手常持蓮花、寶瓶或作施無畏、與願印等，是北齊造像中重要的細部表現。此作來源清晰：1930年前已入日本山中箺篁堂舊藏，1930年出版著錄，並於1955年參加神奈川縣立近代美術館「中國彫刻展」（展品編號80）。配木座及日本木盒，保存良好，是研究北齊石刻藝術與早期日本中國藝術收藏的重要實物。

The Northern Qi dynasty (550–577 CE) represents a golden age of Chinese Buddhist sculpture, celebrated for its refined modelling, sensual plasticity, and elegant treatment of the human form. This finely carved stone fragment depicts a bodhisattva’s hand. Measuring 26.5 cm, it displays the graceful proportions and delicate detailing — particularly in the supple fingers and refined contours — characteristic of Northern Qi sculptural aesthetics, which emphasized beauty, corporeality, and spiritual serenity.The piece has distinguished early provenance: it was in the collection of Yamanaka Shunkodo, Osaka, by 1930, and is published in their 1930 catalogue (Kobijutsu kenkyū shiryō, pl. 19, fig. 32). It was subsequently exhibited in the important 1955 exhibition Chugoku Chokoku Ten (Exhibition of Chinese Sculpture) at the Museum of Modern Art, Kamakura & Hayama (exh. no. 80). Presented with its original wood stand and Japanese wood box, this fragment is a significant example for the study of Northern Qi stone carving techniques and the history of early 20th-century Japanese collections of Chinese Buddhist art.

北齊 石雕菩薩手

A stone fragment of a bodhisattva's hand, Northern Qi dynasty

Live auction begins on:

May 5, 02:00 PM HKT

Estimate

100,000 - 200,000 HKD

wood display stand and Japanese wood box

26.5 cm

來源

山中箺篁堂，大阪，1930年前

展覽

《中国彫刻展》，神奈川県立近代美術館，神奈川，1955年，展覽編號80（沒載圖）

出版

《古美術研究資料 —東洋之部》，山中箺篁堂，大阪，1930年，圖版19，圖32

Provenance

Yamanaka Shunkodo, Osaka, by 1930.

Exhibited

Chugoku Chokoku Ten [Exhibition of Chinese Sculpture], Museum of Modern Art, Kamakura & Hayama, Kanagawa, 1955, exh. no. 80 (unillustrated).

Literature

Kobijutsu kenkyū shiryō. Toyo no bu [Materials for the Study of Ancient Art. Oriental Section], Yamanaka Shunkodo, Osaka, 1930, pl. 19, fig. 32.