拍賣筆記 vol.228 蘇富比伊勢彥信專場：北宋磁州黑彩花蝶紋缽，40.64萬港元成交 - Sotheby’s Ise Collection, A Painted Cizhou 'Floral' Jar, Northern Song dynasty Sold for 406,400HKD
- SACA
- Aug 31
- 3 min read
Updated: Sep 12
體量較小，並不是同類中的絕品，但也算得上是優品。定價10-20萬港元並不貴，這類作品近年來認知很高，呈現井噴狀態，一時間紅紅火火的磁州窯，也並沒有德不配位，畢竟在100年前就是最重要的宋磁品種。
More modest in scale and not the very finest of its type, this piece nonetheless qualifies as an excellent example. With an estimate of HKD 100,000–200,000, it is not expensive, especially given the surge of recognition these works have enjoyed in recent years. The flourishing popularity of Cizhou ware is by no means undeserved—for even a century ago, it was already regarded as one of the most important categories of Song ceramics.
5018
起拍8萬
書面9萬、10書面、11場內、12書面、13中排、14c、15場內、16c、17場內、18c、19網絡、20c、22網絡、24c、26網絡、28c、30網絡、32c落槌。
6668號牌40.64萬港元成交
鉅鹿縣可能性高，整體碎拼，但是瑕不掩瑜。購買此件鉅鹿縣砵的買家，也同時購入了本場另一件鉅鹿縣梅瓶，成交價為139.7萬港元。
北宋 磁州黑彩花蝶紋缽
A painted Cizhou 'floral' jar, Northern Song dynasty
Guaranteed Property
Session begins in
September 9, 10:00 AM HKT
Estimate
100,000 - 200,000 HKD
來源
等々力孝志（1939-2016年）收藏
展覽
《等々力コレクション 中国陶磁》，渡邊三方堂，東京，2017年，編號9
出版
小山富士夫等，《世界陶磁全集》，卷十：宋・遼，東京，1955年，編號116
長谷部楽爾，《陶器全集》，卷十三：宋の磁州窯，東京，1958年，圖版35下
《陶説》，121期，1963年4月，頁92
三上次男等，《世界陶磁全集》，卷十三：遼金元，東京，1981年，編號244
與本拍品類型及紋飾相似之磁州花葉紋缽於知名收藏之中亦可見，大英博物館（藏品編號1936,1012.162）及大都會博物館（藏品編號1991.253.20）各藏有一例。詹姆斯巴羅爵士伉儷舊藏中亦有一件，錄於 Jan Wirgin，《Sung Ceramic Designs》，倫敦，1979年，圖版45c。
Description
sturdily potted with deep rounded sides rising from a splayed foot, the exterior freely and superbly painted in dark brown with three flower sprays alternating with butterflies, all against a creamy-white slip and a transparent glaze stopping neatly above the foot revealing the stoneware body
h. 14.3 cm
Provenance
Collection of Todoroki Takashi (1939-2016).
Literature
Sekai Toji Zenshu [Ceramic art of the world], vol. 10: So Ryo [Song and Liao], Tokyo, 1955, no. 116.
Gakuji Hasebe, Toki Zenshu [The Complete Works of Ceramics], vol. 13: So no Jishu You [Song dynasty Cizhou wares], Tokyo, 1958, pl. 35 (bottom).
Tosetsu / A Monthly Journal Published by The Japan Ceramic Society, vol. 121, April 1963, p. 92.
Tsugio Mikami, Sekai Toji Zenshu [Ceramic Art of the World], vol. 13: Ryo Gin Ken [Liao, Chin and Yuan Dynasties], Tokyo, 1981, no. 244.
Exhibited
Todoroki Collection: Chinese Ceramics, Watanabe & Co., Ltd, Tokyo, 2017, cat. no. 9.
Freely painted with an attractive design of feather-like leaves, this jar is characteristic of wares produced at the Cizhou type kilns in Ci County, Hebei province. A layer of white slip was applied over the body, which was then painted with dark brown pigments in rapid brushstrokes before being enhanced by a coat of clear glaze. Such vividly contrasting brown-and-white design is reminiscent of calligraphy and ink paintings and thus vessels such as the present lot would have been highly sought after by the literati during the Song dynasty.
Jars of this type with similar design are found in prominent collections, including one in the collections of British Museum, London (inventory no. 1936,1012.162), one in the Metropolitan Museum of Art, New York (inventory no. 1991.253.20), and another one from the collection of Sir Alan and Lady Barlow, illustrated in Jan Wirgin, Sung Ceramic Designs, London, 1979, pl. 45c.
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