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SACA學會｜公眾號文章合輯 2018-2025 - A Comprehensive Archive of SACA articles on WeChat

  • Writer: SACA
    SACA
  • 6 days ago
  • 10 min read

Updated: 4 hours ago



自 2018 年以來，SACA學會持續以公眾號為主要發聲平台，系統性地記錄、研究並討論中國古代藝術在全球語境中的歷史位置、收藏脈絡與審美演變。這並非即時評論或展訊彙編，而是一條以器物為核心、以史料與來源研究為支點的長期寫作線索。


在王秋生的主持與寫作下，文章橫跨青銅器、陶瓷、雕塑、佛教藝術、書畫與唐物體系，並不以朝代斷代或市場熱點為唯一邏輯，而是更關注作品如何被理解、審美如何形成，以及收藏如何在不同制度與文化背景中被建構。從倫敦、紐約、東京到北京、杭州，相關文章反覆梳理私人收藏、博物館體系與學術機構之間的互動關係，嘗試還原中國藝術在近現代世界中的流動軌跡。


本次 2018–2025 公眾號文章合輯，集中呈現SACA平台多年來累積的核心內容：既包含對重要器物與關鍵展覽的細讀，也保留對收藏史、學術史與市場語境的冷靜觀察；既面向公共閱讀，也始終以可被長期引用與反覆檢驗為前提。


近年來，王秋生（Allen Wang）亦以專欄作者身分，持續在財新等媒體平台發表文章，圍繞古代藝術、收藏史與文化制度等議題，將以器物與史料為基礎的研究方法，引入更廣泛的公共討論空間。


關於 王秋生


王秋生｜財新觀點專欄（Caixin Opinion / 觀點頻道）


個人介紹（indexed by Grok）


另有：


拍賣資訊寶榜 2020 - 2025 年155篇文章回顧：「寶榜公眾號155篇文章合輯 2020 - 2025 / Art Rank Archive on WeChat」





Since 2018, the SACA has used its WeChat public account as a primary platform for the systematic study and documentation of ancient Chinese art. Rather than functioning as a stream of timely commentary or exhibition news, the platform has developed a sustained body of writing centered on objects, provenance research, and the historical formation of taste.


Under the authorship and editorial direction of Wang Qiusheng, the articles span bronzes, ceramics, sculpture, Buddhist art, painting, and the Karamono tradition. The approach is not driven solely by dynastic periodization or market trends, but by longer-term questions: how works are understood, how aesthetic judgments are formed, and how collecting practices are shaped within different institutional and cultural frameworks. From London, New York, and Tokyo to Beijing and Hangzhou, the writings consistently examine the interaction between private collectors, museums, and scholarly institutions, tracing the modern trajectories through which Chinese art has circulated globally.


This 2018–2025 compilation brings together the core body of work accumulated on the SACA platform over several years. It combines close readings of significant objects and exhibitions with measured reflections on collecting history, art historiography, and market context. While accessible to a general readership, the archive is conceived with long-term reference and scholarly use in mind.


In recent years, Wang Qiusheng has also written as a regular columnist for Caixin and related platforms, contributing essays on ancient art, collecting history, and cultural institutions. Together, the SACA archive and the Caixin columns form a complementary structure: the former emphasizing long-term accumulation and systematic inquiry, the latter engaging more directly with contemporary public discourse.

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