《宋磁》編著小川富士夫，曾任日本東洋陶瓷學會委員長，（文部省文化財審議會專門委員，著名的中國古代陶瓷史及考古學研究家，其《宋磁》收入各大博物館及私人財閥收藏的精品宋瓷77件，運用當年最高的印刷技術，多用黑白珂羅版印刷，間有彩印貼片，印制極為清晰。除說明之外，並標注了收藏之處，書中所列成為世界所知的宋瓷名品。此書學術性和觀賞性兼具，是收藏與瓷器鑒賞的難得圖書資料。
日本聚樂社昭和十八年（1943年）出版發行
早期日本學者錯將耀州窯認定為汝窯，可能是因為五代北宋時期的耀州窯與傳說中的汝窯十分接近，認知的過程雖然坎坷，但是卻傳為一段佳話，也一方面證明了耀州窯高超的技藝與不可忽視的審美。
以下這幾件器物，代表了20世紀初期人們對宋代的想像和對高質量宋瓷的追求。
Song Ceramic editor Koyama Fujio, former chairman of the Japan Toyo Ceramics Society, (Ministry of Education, Culture, Sports, Science and Technology, Culture and Finance Deliberation Committee, a special member of the famous history of ancient Chinese ceramics and archaeological researchers, its Song Ceramic book includes major museums and private collection of fine Song ceramics 77 pieces, the use of the year's highest printing technology, most of the black and white collodion printing, with color printing patches, printed with extreme clarity. In addition to the description, and marked the collection, the book listed in the world known as the Song porcelain masterpieces. This book academic and ornamental both, is the collection and porcelain appreciation of rare books.
Early Japanese scholars mistakenly identified Yaozhou kiln as Ru kiln, probably because the Yaozhou kiln of the Five Dynasties and Northern Song Dynasty was aesthetically very close to the legendary Ru kiln. The process of recognition, though bumpy, has been passed down as a good story, and on the one hand, it proves that Yaozhou kiln's superb technique and aesthetics are not to be ignored.
The following objects represent the early 20th century imagination of the Song dynasty and the pursuit of high quality Song porcelain.
