拍賣筆記 vol.154 邦瀚斯倫敦：南宋龍泉窯青釉八方盤 - Emmanuel Christofides, A Southern Song Dynasty Longquan Celadon-Glazed Octagonal Dish
- SACA
- Mar 30
- 3 min read
八方盤不多，一直是備受追捧的器型，這件器物必然有很激烈的爭奪。傳承顯赫，開冰片帶金絲鐵線（二重貫入），有官家氣質；釉色侘寂，有部分釉色偏暗灰色，不影響整體美感。
本品胎質細膩，造型端莊雅緻，器型由短小微內收圈足向上延伸，至腰部略內收呈「束腰」狀，再向上敞開為寬闊外撇的八方折沿；通體施厚潤的粉青釉，釉面布滿細密的金絲狀開片紋路，唯圈足處無釉，露出橙色胎骨。直徑約15.5公分（6 1/8英寸）。
南宋 龍泉窯青釉八方盤
15 5月 2025, 10:00 BST
倫敦，新龐德街
£30,000 - £50,000
來源：
倫敦古董商Priestley & Ferraro Chinese Art
Mikiko Miyazaki-Robinson，倫敦
Emmanuel Christofides (1928-2020)，雅典和倫敦，於1996年2月21日從上處獲得
著錄：
D.Priestley和M.Flacks，《A Life in the Company of Song Ceramics》，倫敦，2017年，第76-77頁，編號32
此盤造型端秀，折沿八方外撇的設計，充分體現宋代器物講求秀美典雅的審美取向，其器型當受同時代金銀器皿的影響而來。此類器形的龍泉青瓷盤極為稀少，存世及著錄者僅寥寥數例。相近一例，尺寸約15.8公分，現藏於舊金山亞洲藝術博物館（Avery Brundage Collection），見瑪麗·特里吉爾（Mary Tregear）著，《宋瓷》（Song Ceramics），紐約，1982年，頁138，編號183。另一件南宋官窯八方盤則典藏於台北故宮博物院清宮舊藏（典藏號故瓷013965N000000000）。另見一例與八方小碗配套之龍泉青瓷盤，著錄於藍理捷（J.J. Lally & Co.）《中國藝術：塞克雷斯收藏》（Chinese Art: The Szekeres Collection），紐約，2019年，編號2。此例更可與南宋官員朱希顏（1135-1200）墓出土之金製八方盤及碗相對比，相關金器載於《中興紀勝：南宋風物觀止》，北京，2015年，頁16，圖版10；同書頁27，圖版52另載一組鎏金銀製相類盤碗一套。此外，北京故宮博物院尚藏一件元代龍泉窯八方盤，盤內施褐色鐵鏽花紋裝飾，見《天下龍泉：龍泉青瓷與全球化》（Longquan of the World: Longquan Celadon and Globalisation），第二卷，北京，2019年，頁128-129，編號076。
另可比較香港蘇富比2019年5月29日拍出之宋代龍泉仿官釉杯及八方盤一套（盤徑15.5公分），拍品編號325；以及紐約佳士得2022年3月25日售出之另一件南宋龍泉青瓷八方盤，拍品編號1031。
A LONGQUAN CELADON-GLAZED OCTAGONAL DISH
Southern Song Dynasty
INSTINCT & KNOWLEDGE A LIFE IN THE COMPANY OF SONG CERAMICS
15 May 2025, 10:00 BST
London, New Bond Street
£30,000 - £50,000
Provenance:
Priestley & Ferraro Chinese Art, London
Mikiko Miyazaki-Robinson, London
Emmanuel Christofides (1928-2020), Athens and London, acquired from the above on 21 February 1996
Published and Illustrated:
D.Priestley and M.Flacks, A Life in the Company of Song Ceramics, London, 2017, pp.76-77, no.32
Finely potted rising from a short inward-tapering foot to a 'bent waist' and wide flaring octagonal rim, covered in a thick sea-green glaze suffused with golden crackles throughout save the foot ring revealing the orange biscuit body, box. 15.5cm (6 1/8in) diam. (2).
This dish, with its flat, everted, octagonal rim, reflects the refined elegance of Song dynasty design and is thought to be inspired by contemporary silver and gold prototypes. Longquan celadon dishes of this distinctive shape are exceedingly rare, with only a handful documented.
A comparable dish (15.8cm wide) is in the Avery Brundage Collection at the Asian Art Museum in San Francisco, illustrated by M.Tregear, Song Ceramics, New York, 1982, p.138, no.183. A Guan celadon-glazed octagonal dish, Southern Song dynasty, is in the Qing Court Collection, in the Palace Museum, Taipei (acc.no.故瓷013965N000000000). Another example, paired with a small octagonal bowl, is illustrated by J.J. Lally & Co., Chinese Art: The Szekeres Collection, New York, 2019, no.2, where it is compared to a gold octagonal dish and matching bowl from the tomb of the Southern Song official Zhu Xiyan (1135–1200), illustrated in Zhongxing jisheng: Nan Song fengwu guanzhi Beijing, 2015, p.16, pl.10. A parcel-gilt silver counterpart with a matching bowl is also shown in the same publication, p.27, pl.52.
A related Longquan celadon-glazed octagonal dish, but with iron-brown splashes, Yuan dynasty, in the Palace Museum, Beijing, is illustrated in Longquan of the World: Longquan Celadon and Globalisation, vol.II, Beijing, 2019, pp.128-129, no.076. See a related Longquan Guan-type cup and octagonal dish (15.5cm wide), Song dynasty, which was sold at Sotheby's Hong Kong, 29 May 2019, lot 325. Another related Longquan celadon octagonal dish, Southern Song dynasty, was sold at Christie's New York, 25 March 2022, lot 1031.
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